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Music in art creation – my process

Druid Tree Painting by Maura Satchell, ArtistAs you might know, I make visual art as well as write. Recently, I’ve noticed an interesting thing. I work by two different mental processes when creating, depending on whether it be by words or pictures. Here’s the scoop:

The other day I was asked about my process in writing my (insert shameless plug here) second novel The Gray Lady of Long Branch  (Four Pillars) and in explaining my strong dedication to the organic process, I also mentioned I work in silence. No music, no television, no people (if I can help it, but that depends on how close to deadline).  I do this because those external distractions would dim “the voices in my head.”

I know what you’re thinking: Get out the straightjacket. =)

In all seriousness, though, I can only describe it in this way:  Thankfully, I type blindingly fast, so, I process my thoughts in my brain and type to follow up. Usually it’s my own thoughts, but sometimes, I get the voice of the character, or a reminder voice of an old professor, or some other voice coming to me. It informs the process of what I’m doing or downright puts the dialogue right into my mind, accent at all.

When creating visual art, I find creating to music pleasant and sometimes very helpful. It seems to free up my work so my strokes are less controlled, more flowing and easy. The most striking marriage between my painting and music came several years ago when I was working on this Druid Tree painting for a solo show at a fabulous restaurant in Nashville years ago. I was painting to Dave Matthews Band and still remember the feeling of that union as I created that work.

How about you? Check in and tell me what type of art you work on and about your music or non-music preferences. OR, take this conversation to your favorite social media channel and carry on the discussion there!

 

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The Nashville Skyline Painting

So, I started this painting for my very first show in Nashville.  It was spring, 2010 and itNashville at night painting by Maura Satchell was to be one of about 25 original paintings for my month-long show at the fine Nashville restaurant The Mad Platter, located in the Germantown section of Music City, across the river from the state capitol.

Nashville at Night, as I’ve always called it, was not the largest painting on display there by any means. That honor went to a 36 x 80 inch work that was (happily for me) acquired within a couple of weeks of the opening by a private collector.  NaN did not sell.  I’d priced it very high, figuring if someone wanted to acquire it, it would have to be at some cost. While I could paint another similar to keep on hand, it wouldn’t be the same as that very first one, painted just before the traumatic and city-defining 2010 flood.  In fact, the show was to open that Sunday, May 2 and had to be postponed by one week’s time.

Nashville at Night has been with me through several other shows since.  It now graces a wall in our home in Florida and I’m so very glad I was able to keep it.  I’ve recently been commissioned to do a similar painting of New York City for a collector overseas.  Looking forward to the opportunity and will present the final product here for your viewing pleasure.

PS:  If you like this particular painting, fine art print copies and canvas copies are available through the following online sites:

In original format from Fine Art America
In a standard format from Saatchi’s online gallery.

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CANNashville Reception Pics here

Our CANNashville Reception at the Mad Platter Restaurant in Nashville went swimmingly.  Despite the hot weather and fact that is was a Sunday afternoon, there was a good-sized crowd.  What’s more, they were inclined to purchase and a number of our works flew out the doors in no time!  That’s me on the far right, by the way, in the red and white.

More pics here http://ow.ly/5CBLZ . It was a great day for us and for @Thistlefarms thanks to @TheMadPlatter

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2010 in 100 words, more or less

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I gotta say, this was an excellent year for me personally and professionally!

I dove headfirst into art this year, reorganized and formalized my studio, and by chance scored my first solo show at an upscale restaurant in Nashville for six weeks from late June to Father’s Day.  Great timing except Nashville’s millenial flood took place the weekend of my scheduled reception.  Most I knew were fortunate and suffered no or minimal losses but many areas were devastated.  My reception ended up closing the show, more or less, but still a nice crowd and healthy sales meant I could claim professional artist status!   At year end, my art is
hanging in several venues in Middle Tennessee and a few more people are puzzled by the name “Moesse.”

A mid-year turning point meant transitioning from Hazel King’s tutelage to more independent study, and the formation of Collaborative Artists Network (Nashville) – http://www.thecann.org – with fellow painters and dear, dear friends.  A more personal turning point came when I took a stand against a loved one, ending a pattern of enabling.  By year end, I’m glad to say, it was proven to be a good decision for all involved and things are looking up on that front.

A wedding in October was special partly because I got to talk to Canadian superstar Bryan Adams and tell him David and I were married to one of his songs (which I’m sure he hears ALL the time).  What made it stellarly special (my phrase in case ya couldn’t tell), was that my dear, great and wonderful brother Barry married the love of his lifetime(s), Gretchen.  I used the plural because, yeah, their spirits have been dancing this love tune for centuries.

Another wedding in November, this time in England, meant a stellar trip across the pond, celebrating the union of two young people, spending great time with David’s family, touring the southwest region, and freezing our butts off.  All before jetting back home just in time to beat the U.K. version of Snowpocalypse!  While there, I discovered snoods, Primark’s cheap but cozy for a season offerings, and an Indian import store offering huge zippered bags on the cheap to lug home our dirty laundry.

December was a blur with unpacking, preparing and mailing out more than a dozen Christmas parcels to friends and family from afar, a few parties, and yes, prepping for and pulling off a New Year’s Day open house. I did little painting, but put at the top of the blog two abstracts that I did that I’m very pleased with.

In closing, know that I’m eagerly anticipating great things for 2011, for two reasons.  First, I have this weird thing for prime numbers (I think because I was born on the 13th in 1959) and 2011 is about as prime as you can get, baby!  Second, my dark-haired brother was the first newcomer to step foot through the door that day, followed by his male black lab, Nigel.  I’m told Scottish tradition says that if a dark-haired male is the first to cross the threshold New Year’s Day, it bodes well for the year.  I’ll take all this as a good, hopeful sign for more good things to come.

Here’s hoping you experience all good things for 2011.
MWS